With the upcoming World Intellectual Property Organization’s (WIPO)International Conference on Traditional Knowledge being held in New Delhi, India on November 13, 2009, the time has come to not just say ‘sorry’ to our global indigenous cultures, but to show it.
Further, why do we almost always (choose to) disregard our indigenous communities in regards to how their intellectual property rights – namely, the Copyright Act 1968 , affects them – directly or indirectly?
While the rest of society is protected and is making money off the back of intellectual property laws under the Copyright Act, all is well and good, but this Act has failed to protect our indigenous cultures sufficiently.
Especially when it comes down to intangible intellectual property – described in 2003 by the Convention for the Safeguarding of the Intangible Cultural Heritage as:
“the practices, representations, expressions, as well as the knowledge and skills, that communities, groups and in some cases, individuals recognize as part of their cultural heritage…”
This also includes oral teachings on laws, traditions, and rituals that are passed on through the generations.
The convention held in Paris was not ratified by Australia yet should have been as the acknowledgement of traditional knowledge and culture is important both nationally and internationally. Australia needs to lead, not lag behind.
The Copyright Act fails our indigenous cultures in that it does not protect their intangible intellectual property and the first step forward is to amend it to protect their cultural heritage.
It fails to recognize the original idea or information that is placed in a composition in indigenous art .

Indigenous art (source: Šrotíř David, under CC Attribution ShareAlike 3.0, Attribution ShareAlike 2.5, Attribution ShareAlike 2.0 and Attribution ShareAlike 1.0 Unported License)
Most (if not all) indigenous artworks have an underlying story that has been a part of their heritage for many centuries. The stories are sacred and of immense importance to their cultures, however, this type of intangible material is legally left unprotected.
The current laws do not protect Aboriginal techniques and styles of painting (such as the ‘dot’ and ‘x-ray’ styles which are location and community specific, and used as a form of communication between generations).
The Copyright Act also does not cover indigenous unrecorded songs and dances.
These should be covered as indigenous cultures have never traditionally written their stories and histories in books, recorded their songs on tape or videotaped their dances – this has always been disseminated orally and in person. And in many cases presently continues to do so.

Aboriginal person playing the Didgeridoo (source: White House photo by Chris Greenberg / public domain)
It is yet another failure of our legal system to adequately protect our indigenous community, and certainly these issues affect many other indigenous communities globally.
Another two major problems are also apparent with the current Copyright Act.
Firstly, a legal owner of copyright must be an individual.
This presents numerous problems for indigenous communities, a significant one being a lack of understanding from our part about how their communities are structured and their functionality.
Indigenous communities usually have communal ownership, something which our current laws do not recognise, nor understand.
Indigenous people are able to recite and discuss certain local lore and knowledge, but they do not have the automatic right to utilize it. This needs to be agreed upon collectively, as a community.
Libertarians may jump and shout when they hear there should be more laws for IP, but their arguments are philosophically based and really, at the end of the day, we are talking about current laws not providing sufficient protection for our indigenous communities, where this protection exists for others (us).
It is a huge inequality that needs to be rectified and the best way to do that is to amend the Copyright Act so it recognises and protects intangible indigenous intellectual property and ownership.
Come on Rudd! You said sorry, now show us you mean it!
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Deleting comments: Censorship double standards?
To Censor, or Not to Censor...(source: Piotr VaGla Waglowski, public domain)
On certain websites in the past, I have commented and replied to articles produced by others where I have disagreed with what was being written.
I have not always been published by them in the comments section resulting in my frustration and wasted time trying to get my point of view across.
This led me to conclude that this was censorship being misused in the worst possible way – where other reasonable perspectives cannot be heard.
However, when moderating my own blog I came across a comment I did not want to publish – I too wanted to censor the comment and not have a publicly dissenting voice on my blog.
I came to the conclusion that I did not want to be like those who have censored my comments – and whether I liked it or not, everyone has a right to be heard.
So I approved it.
This has made me feel good about moderating a website, knowing that I will not censor comments based on whether I like them or not – as some (many?) major news websites do.
Have you ever been censored or censored others? Did it frustrate you like it did me?
Power to the people!
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